Netflix

New TV Comedies on Netflix

Joy BuchananLeave a comment

I don’t spend a lot of time watching TV, but sometimes I do for fun. If you loved The Office and Parks and Recreation, then here are two new shows that are currently free on Netflix (September 2025).

I normally ignore lawyer shows (and cop/crime shows). But my first recommendation is an Australian lawyer show called Fisk.

Summary: A corporate lawyer must take a job at a suburban law firm after her life implodes in Sydney, and struggles to find her feet navigating grief, money, family, and entitlement.

I have only seen the first three episodes. I have no idea where the story is going, and I love that. Right now Helen has started a new job and is trying to get back on her feet after a divorce. I think it’s safe to say that the character is neurodivergent. The tone reminds me of Ricky Gervais’s The Office (maybe because Australian humor is close to British humor).

Like most Americans, I first discovered Leanne Morgan on Instagram. The real comedian has an interesting story (what Henry Oliver might call a Late Bloomer). So, I was excited when her TV show finally dropped. The first episode might not have hooked me if I didn’t already like her. I thought it picked up as the season went on, and I enjoyed the whole thing. It’s a bit like 30 Rock complete with an appearance by Jack McBrayer.

The Chair on Netflix

Joy BuchananLeave a comment

The Chair on Netflix is entertaining and I’d recommend it to EWED readers.

Plot, via Wikipedia: Professor Ji-Yoon Kim is the newly appointed chair of the English department at Pembroke University. The first woman chosen for the position, she attempts to ensure the tenure of a young black colleague, negotiate her relationship with her crush, friend, and well-known colleague Bill Dobson, and parent her strong-willed adopted daughter.

Something I like about the writing is that there is genuine suspense. Going into the last episode, I didn’t know what would happen with the romance or the threat of job dismissals.

The show is funny, occasionally. If you are looking for something easy to watch in 30-minute episodes at the end of the day that won’t leave you too upset, this will work.

Some of the issues they raise deserve serious treatment, but the serious treatment will not be found in The Chair. It’s for Netflix, with binge watching potential. Without offering any spoilers, I’d say they supply the kind of ending that viewers want. You need not overthink it.

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Economics in Wedding Season

Joy Buchanan4 Comments

You watch a romantic comedy to feel good. I was tired at the end of last week, so “Wedding Season” Netflix looked like it might be funny. I was not expecting that the protagonist would be an economist.

First, how was the movie? The first half was somewhat entertaining. The second half is too sappy and long for me.

This movie is one of the few movies I know that is just unironically set in New Jersey. There were no jokes about Jersey or Shore folk. New Jersey is where immigrant families from India are making dreams come true. The dialogue about immigrant Indian culture, including arranged marriages, was interesting.

You know the trope about a character becoming rich because they inherited money from an estranged uncle? In Wedding Season, the guy becomes unexpectedly rich from Facebook stock.

Second, how was economics portrayed?

Here is the plot summarized by Wikipedia

Asha is an economist working in microfinance who has recently broken off her engagement and left a Wall Street banking career behind to work for a microfinance startup in New Jersey. Asha’s mother Suneeta, concerned for her future and against the advice of her husband Vijay, sets up a dating profile through which Asha meets Ravi.

In the beginning of the movie, Asha pitches microfinance to investors from Singapore. Asha tries to convince them using graphs and statistics. The investors turn her project down.

Microfinance was hyped in the 2000’s. I believed, so I became a Campus Kiva Representative as an undergraduate. I convinced teens in my dorm to pool our dollars to sponsor a loan for a woman in a poor country. Since then, economists have done empirical work to show that microfinance is not as effective as we hoped (see work by 2019 Nobel Prize Winners Esther Duflo and Abhijit Banerjee). The filmmakers either do not know the latest research or they don’t care. The pitch is still as emotionally appealing as it was when I heard it for the first time 15 years ago, so it makes for good movie scenes.

The irony in Wedding Season is not only that Asha succeeds in getting bankers from Singapore to invest in microfinance but also how she goes about it.

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